Tortoisix

 

First Edition 2025

I've only encountered a single desert tortoise, a memorable moment. My dog, Scout, investigated while we respectfully waited for the tortoise to emerge from its shell and continue its journey through the boulders. These creatures are masters of disguise, their dusty shells blending seamlessly with the scree. I'm especially pleased with the colorization in this piece, capturing the imposing, fortress-like rock formations and the distinctive mackerel clouds.

Corvux

 First Edition 2024

A raven, its ebony beak puffing steam into the cold morning air, caws from a branch, watching me with its keen eye. I acknowledge the birds that radiate a sentient glow on my walks. They remember you. I placed this couple, and a high-flying third on patrol in the Chiricahua mountains. An early fall storm approaches. I'm jealous of flight. I'm also jealous of the godlike views of the world. Given the bird's occult symbolism, I couldn't help but frame the three with some alchemical symbols, phrases and phases. 

Owlix

 

First Edition 2023

The manzanita, a botanical marvel, served as the primary inspiration for this work. Its mature form, characterized by gnarled branches and sharp angles, evokes the complex structure of the human brain. As the tree ages, certain portions undergo senescence, bleaching white as teak. However, vital red sections continue to nourish the living branches, ensuring the tree's survival. This unique adaptation, similar to the iconic Bristlecone Pine, underscores the tree's remarkable resilience and ability to withstand harsh environmental conditions

The Sky Islands' smallest raptor, the elf owl, is the spirit of the piece. Knowledge rests on the branches of the mind even as memory ages and falls/fails with age. A concept I'm familiar with as the years pass by. 

Partly through the colorization process. I like to think of it as an adult coloring book I make myself.

O. Apachex

 

Illustrating a freshwater fish in its natural habitat, in a natural pose other than the usual water splash caught in mid-air from the muscle-arched body lunging toward a mayfly, mouth agape; the fisherman's wet dream of a perfect strike. This pose presented an exciting challenge of depicting above and below water landscapes in the same piece.

Small canyons with streams and cool blue-green pools do exist in the Sonoran Desert. The endangered Apache Trout thrived here, but interspecies competition with the Spotted Trout, stocked by humans, has reduced its domain to 25 miles of the Gila River, smaller tributaries, and adjacent parts of New Mexico. A fly fisherman in my past life, I like to spend time with good fishing spots, although these days it's with a sketchbook and camera. I try to spot what I can through the ripples, but the real telltale signs of trout are tiny fly lures and the glisten of fishing line in unreachable branches of trees around.

The trout is a notoriously difficult catch for a fisherman due to the miracle of its vision. The trout eye is engineered to deal with light refraction through the water's surface and is sensitive enough to see insects above water by the dim light of the stars. The trout can also see you unless you are crafty enough to be outside of its wide cone of vision.

Although the Apache Trout is not a current resident of the Sonoran Desert, I felt it appropriate to include it in my series considering the conservation efforts to restock this rare and wonderful inhabitant of our desert.

Prints for sale at patterntology.com

Amethyx

Ah, crystals. I know what you think when you see crystals. New Age guru was not my intention, though. I wanted to depict something mineral, if only one subject, to make a footnote in my work that the Sonoran Desert is a wellspring of gems, precious metals, and beautiful minerals. Given that, yearly, I'm steps from giant tents of vendors and prospectors selling their gems and minerals at the Tucson Gem & Mineral Show, I've become a fan. I also like following posts at the Mineral Database, considering I know very little about the field. I do know there are hidden treasures in hard-to-find places here.

Walking along the surface of the desert in hilly or mountainous areas, the possibilities below your feet are reality. Chambers of water, fault lines ever moving, cavities filled with mineral formations, and spelunkers are still discovering immense cave systems. It was hard to pick one thing from the ground that symbolized it for me. Copper, turquoise, and silver are actively mined here. Meteorite finds are commonplace, given visible craters and the ease of spying them in bare earth areas, so the extraterrestrial angle was interesting. In the end, I settled on Amethyst.

As volcanic lava cools, it traps pockets of gas and silica-rich liquid to form Quartz crystals. If the liquid has trace amounts of iron and you wait millions of years, you get the purple-hued Amethyst. There is a background overlay in my piece of a sequential nonrepeating pattern echoing quartz's hexagonal base structure and organic growth. (Also, somewhere in there are some coordinates.)

I can't ignore the labeling of crystals with spiritual significance. It exists for many people. I can't ignore the monetary value put on them either, but I do. To me, unseen secrets below the ground flesh out the detail of the terrain, mimicking the rarity of natural life on the surface. It makes perfect sense to me.

Prints for sale at patterntology.com.

Codex Sonora Printed

The whole process of inking prints and putting them up for sale to ultimately end up in a book is like releasing movie trailers until the movie comes out; only in my case, it was six years of trailers, including a pandemic. There's an elegance to this process that includes a pace keeping me interested and always working toward a final product.

The text is off-putting to some who either discount the whole book as nonsense or are discouraged by not reading it immediately. The other group finds an enchanting mystery in the document and even focuses enough to read it right away. It's funny to me that people are brutally honest about their opinion of something in book form. Still, if presented with something indecipherable in an art gallery, they walk away humbled, thinking they lack the sophistication or expertise. A psychological principle at work here about reactions to new things? I lack the sophistication or expertise to explain that principle!

I could create text that looks like a written language to suggest cipher code to be cracked (or not), but I do have thoughts about each piece while I build each piece. Text usually comes in list form derived from my observations and research I put into the subjects. The font I chose is of my creation called Quotasoon. I'm not sure if you would call this writing poetry or prose comprised of list-like terms or phrase snippets pulled from science writing that formed my understanding of the subject or phrases that encapsulate the subject's feeling and place. Maybe this is something akin to what an AI would do if using object-oriented philosophy. I read it off internally, as you might read:

"...doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war... A place where the unknown past and the emergent future meet in a vibrating soundless hum... Larval entities waiting for a Live One..."

― William S. Burroughs, Naked Lunch

 

Copies available at patterntology.com

Sonoran Deserex

I am no expert on the Sonoran Desert; although I live here, and considering a majority of it exists inside of Mexico, which I have camped in about ten times, I'm familiar with the terrain. A few years ago, I did this 3d map of the Pineleño Mountains. Then there was the paleogeographic project I teamed up with a geologist to render the creation of the Gulf of California back to 10 million years. This time, I revisit the map as an art print and an essential part of my upcoming book.

There were a lot of decisions to make during this piece. How much texture, color, include roads, walls, cities, vegetation. Maps aren't maps without bathymetry, which tells the whole story IMO, especially in the gulf where the peninsula has peeled away from the mainland and is on it's way to Alaska. My spacecraft crashed here, and my information screen was on the fritz, and the power supply was waning, so I made some paper and ink and started tracing the screen to save the information.

Speleox

Like the otherworldly biom of the Sky Islands in Southern Arizona, there is another world underground. Thinking about the natural world under our feet, I was inspired by Kartchner Carverns. By happenstance, I was hired to my year-old creative director job by Gary Tenen, co-discoverer and protector of the caverns that eventually became a state park.

The bat seemed a natural fit for this piece. Nesting below ground and hunting outside, no one is more aware of the advantages of cave life in the desert than the bat. Listening to recordings of it's high frequency echo locations, I felt some grunge. Flying through the choppy sound waves to navigate its way through cave chambers and out into the open air, the bat not only helps control insect populations but is integral in the pollination of desert plants.

My aim with these prints are to collect them into a book, "Codex Sonora." My next print will be a map of the Sonoran Desert and then I'll spend the next year working on the cover, text and layout of the book. I'm excited to finally make a book since starting this series in 2015, then it will be onto Volume 2!

Apidaex

The last ice age pushed into the Sonoran desert and pushed out the Saguaro cactus and the Ironwood trees down to the middle of Mexico and replaced by Juniper forests and giant sloths. When the cold receded, the Saguaro came back to Arizona thousands of years faster than the Ironwood. Why? Birds. Birds can migrate hundreds or thousands of miles pooping seeds from the Saguaro fruit along the way. Ironwood seeds are eaten and pooped out by pack rats. Pack rats have small domains of a mile or more.

But first, plants need pollinators. In the desert these are bats, insects, and bees. They are genetic networkers for the plants they forage. They will forage up to 4 miles away and periodically, the whole hive will strike out and find a new place to resettle. Which makes me think of computer networks and networking software, site visits (like to a blog), and social media.

Insects with a queen are really one organism. Grouped together, I image a hive to be the size of a small dog. A small dog with 10,000 stingers. I've encountered a hive on the move while on the trail. I heard them before I saw them. I always give them space and respect because they can be aggressive. Our bees down here are Africanized, Africanized hybrids, aggressive, but are immune to the fungus that's killing bees elsewhere.

Peregrix

The Peregrine falcon is a wide-ranging species and a seasonal migrator, but the Sonoran desert is one place it breeds and calls home all year round. I have some nesting near my office, and at break time in the back when the wind is flowing over the Tucson Mountains, one of them might kite slow and low over me to take a look. Then there's that sound effect Hollywood is so fond of.

Out in the desert, circling in long slow arcs among rock towers and dodging dust devils, birds have a different spacial reality than we do — especially the strong fliers of the predatory world. Looking up at them, we're like the bottom feeders of the sky sea.

In this piece, I was thinking about the layers of air being like floors in a multistory building. I see birds cruising for prey, but sometimes I see them way up there on the top floor, far beyond hunting zones, watching the curvature of the earth and soaring smoothly on thermals.

Javelinix

The first time I heard of the javelina was during a horseback ride when the trail guide started describing a vicious black pig of the desert that would attack cattle and horses. The first time I saw a javelina he saw me and ran away. The second time I saw a javelina was in a parking lot. He was wandering around the cars and sniffing around trash cans.

Since those encounters, I happen upon them as a common occurrence on trails and try to keep my distance. Once during a dry spell, 3 large ones walked down my street like a gang of tough guys unafraid of the urban environment around them.

Most of the time I'm amazed the Sonoran Desert can support mammals this big and then remember this is a pretty green desert as far as deserts go. As a regional character, the javelina is pretty famous; adorning postcards, lawn ornaments and mailboxes. As a wild animal it's tough, crafty and fearless.

I was thinking about their sense of smell which is way better than their eyesight. That sense of smell helps them root out seeds, meats, fruits grasses and roots. A scent gland on the rear of their back help them communicate with each other. So yeah, I was thinking about navigating by smell in this piece.

Canix

Coyote is cunning. Coyote is opportunistic. Coyote is curious. Coyote is a hardy survivor like the desert itself. This is why the coyote is feared and hated. Coyote is the brother of the wolf, and both are the oldest branches of the canine genetic tree.

I can't help seeing 'dog' when I encounter them. My reaction to them is always awe mixed with a little caution. A pack of three moved into an abandoned area near my house. Walking my dog Scout there one day, the coyotes approached. Scout played with one of them like they were puppies. I was amazed how they immediately turned to play. I swiveled around to see the other two carefully moving into a position to circle us. It might have been a defensive strategy but being out-numbered I tossed rocks to break up their plan. Another time I was hiking down a wash with Scout. A group of 8 came toward us. I called Scout next to me as the coyotes fanned out, slowing and sniffing as they passed, and went on their way.

The eyes and ears of the desert, they want to know who's coming and going. My piece has a coyote at dusk keeping an eye on the horizon, ears focused and nose scanning for changes in the air.

Ocotillix Rosario

In the Sonoran Desert, some areas get more rain than others. Around Tucson the yearly rainfall is 12" but in the El Pinacate y Gran Desierto de Altar it's closer to 3" if any at all.  Rain is usually randomly sourced by a Pacific hurricane or tropical storm coming inland to die. So hardy adaptive plants like the ocotillo growing in an area with less rain may look young but actually be very old.

How old? Sometimes more than 100 years old. Here's some interesting photos. Notice the cactus growth on the left and the relatively unchanged ocotillo on the right after 86 years.

From Desert Laboratory on Tumamoc Hill

In between rains, ocotillo dials its' metabolism down to a crawl and appears to be a bundle of dead, spiny sticks. When rains occurs it springs into action by sprouting leaves and bright red torch-like blooms. Pollinators like carpenter bees and hummingbirds are attracted to the blooms.

This one was found in the Gran Desierto de Altar at the foot of the Sierra del Rosario mountains. I was taken by the height of the ocotillos in this area compared to most of the shorter, ground-hugging plants and the sound of wind through their spiny branches.

AA Pinacate

The ancient feeling of the Pinacate Bioreserve surrounds you with its volcanic landscape of black cinder. Yet in all of the ancientness, the ʻAʻā (Hawaiian term) or rocky cooled lava looks as though it just happened yesterday. The lava flows are young, as in 40,000 years ago. Once molten and unapproachable, they are still a forbidding place to go. Massive piles of car sized ʻAʻā boulders, steep pits and a surface that is extremely sharp to the touch. Climbing among the lava flows must be done carefully because a misstep would mean certain injury. The going is so tough I've wondered if you tossed something into the center of the flow if it would ever be found again.

This piece was about getting into the detail of the rock and being true to it's nature. When you get into the details, it's more like working on an abstract piece. Natures abstraction pulls you into the details.

Calyptix - Node in the Genetic Desert Mesh

Hiking through the desert, the dull ring of silence may only be broken by the gravel crunching under your boots. Even if nothing seems to move you will undoubtedly encounter a hummingbird. You'll undoubtedly hear their high-pitched tweets.

In this piece I was thinking of a couple things. One, the bird's constant role as pollinator. Two, the maneuverability and miracle of it's hovering flight. Not to mention the iridescent ruby pink throat of Anna's Hummingbird. Wings flapping at twice the speed of any other bird with 360 degrees of vision  and energy enough to stay in flight for 50 minutes at a time. Imagine the invisible swirls of air currents churned up around it. The tiny squeaky chirp is the actual frame of the piece represented by the graphic sound waves you might find in an audio program.

Gilax M - The Formidable Desert Dragon

11x17, inked with Crow Quill and digitally colored

The last few inks were landscapes and I wanted to zoom into some more close up subject matter. There isn't any creature more desert classic than the Gila Monster, so, it was decided. There's a lot of ways to abbreviate the round scales of the lizard and the lichen pocked rock beneath but I opted for visual complexity. I'm starting to think that visual complexity adds to the life of a piece. More for the brain to chew on. More for the brain to find and connect with. I've really pumped it up a notch with this one.

I was taken by the plotting of the scales on it's skin which arrange in a hexagonal pattern. Something out of a sci-fi artificial life-form design. So I started thinking about geometries and how it might relate with the landscape patrolling cell by cell through it's hive of rock, thus the hexagon matrix overlay. When you move so close to the ground, there must be some sense of direction more than searching the horizon. I overlaid a futuristic compass at it's side for easy reference. Caution barred warning triangle in the upper right noting the subjects dangerous bite. Truly the dragon of the desert.

Cardónix

The Cardón, Mexican Giant Cardon, Elephant Cactus... you get the idea that it's a really big cactus. Similar to the Saguaro but with branching much like a tree. I spent time camping on the edge of a forest of Cardón spending periods of time hanging out in their shade or wandering among them along the shore of the Sea of Cortez in a place called Punto Cirio in Sonora Mexico

Cardón as big as a house.

Considering it can take 75-100 years for a Saguaro to grow one arm, I marveled at the age and castle-like presence of these giants. When I came across this particular one, I spent a lot of time circling and photographing it. A quarter mile from the shoreline, I imagined what processes shape its' life. Sun, intermittent breezes and stormy gales from the sea, desert/sea birds living among it's branches and every night the Milky Way slowly spinning through the sky. That's what hooked me, this creature's sense of time as it moves through the seasons and it's distant relationship with the ageless cosmos every night. That is why there is a diagram of a section of the Milky Way superimposed on the background in my drawing.

Continuing with this series of cyber-natural-ancient-future landscapes, I may move on to close-up scale of objects. Either way, I love this process of ink and digital colorizations. I also love that I can share these prints at a very inexpensive price.

Pinacatix Senita

The Pinacate region of Mexico is so unique in the Sonoran Desert I think I'll be doing a number of pieces from the region. Ancient volcanic lava flows created ridges and eddies in the landscape forming little walled gardens. Roaming through them is like being in the backyard of a master gardener.

I was struck by the strength and royal presence of the Senita cactus. It's interesting how the bottom of the stems crawl away from the center, laying on the ground and push up. Weird but it looks like it's very comfortable on the desert floor.

Following this ancient sci-fi aesthetic, I've used slow arcing arrows to mimic the sense of growing up and out, and the circulation of life force all around the cactus. I'm trying to be subtle with this commentary because the true focus is nature itself. This one was pretty fun!

Terminus Pinacatix

Camping on an other-worldly lava flow in Mexico inspired thoughts of targets, portals, and interdimensional travels. Earth symbols surrounded by life symbols in a star chart. This fantasy of looking through the the windscreen of my interstellar ship with targeting interface has me thinking a lot about interface in art. Controls, symbols, maps having internal meaning. Don't hate the interface, become the interface. I admit, I catch myself dreaming of punching radio buttons, pulling scroll bars, and watching lines of code spill into the screen. Oh great RGB, have mercy on me.

Crow Quill and India ink, digitally colored. This will go to print for my next show. From here I move back into painting.

Obelix Havasupai

Obelix Havasupai Closeup

I've been working with some graphic symbols that came out of a vector-based automatic writing set of sessions.  Thinking about letters, sigils, symbols and am exploring their meaning more specifically now. Maybe they are part of a larger symbology.  Maybe part of a mandelic pantheon of universal balance.  Maybe part of a personal psychological system like tarot.  The world-building continues...

The symbols used in this one are geologic, stone, earth-like.  A cube shape has been haunting me so I built one from the symbols themselves.  Could be a 3-dimensional sentence.  Could be a set of dice.  Could be keys turned to access another realm.  I want to explore this concept further.  I keep tuning into an "Ancient Future" feeling that has a lot of juice and I'm scurrying down the rabbit hole after it.

I worked from a photo I took while riding a helicopter out of Havasu Falls, a tributary of the Grand Canyon.  All the inking is done with a Crow Quill and india ink.  I listened to "Kafkaesque", an hour-long ambient drone piece of music by Australian artist "Soul in limbo" over and over again while working on it.  So, I guess that might be the soundtrack.

Obelix Havasupai